I have started to explore infrared photography and video capture on a smartphone. The native camera is unable to see true infrared so a clip on attachment is needed which bypasses the built in camera to reveal a strange new world. I have attached some recent test shots but looking forward to exploring this further over the next few weeks. It would make an interesting component of future smartphone photography talks and workshops. Watch this space.
My short film ‘14,000 metal boxes’ has been screened to UK audiences, both North and South in July. It is showing as part of The Agents of Change exhibition at The Holden Gallery, in Manchester along with 40 other finalists of The John Ruskin Prize and this week, it appeared at the Small Axe Film Festival in Dorset. It can be seen until the end of August at The Holden Gallery but if you can’t view it on the large screen you can still view it online below.
My video ‘14,000 metal boxes’ has been shortlisted for the Small Axe Film Festival. The public screenings of all shortlisted films takes place in a vintage mobile cinema bus! http://smallaxe.radicalfilm.org.uk
My short film 14,000 boxes has been shortlisted for the John Ruskin Prize. The winners will be announced on the 11th July and the work of all 40 shortlisted artists can be seen at the Holden Gallery in Manchester until the end of August.
The panoramic (Pano) feature in the standard iPhone Camera app is a great way to record wide and imersive scenes that you wouldn’t normally be able to capture in a single shot. Panoramic photography, just like any other type of image capture needs to be planned. What is the main subject, where should it appear in the composition? The stretched shape of the panoramic image is an unfamiliar format to most viewers so careful thought needs to be given to how you will lead their eyes through the picture.
Consider where the image will start and where it will finish. Are there any any distracting elements in the shot? If people or objects are moving through the scene, you could let them pass, if the distracting element is permanent you may need to choose a different composition or even remove it later in Photoshop. Check to see where the sun or other main lights are in the scene and prepare your exposure accordingly. The normal AE/AF lock (touch on a chosen area of screen for a couple of seconds) still works with the Pano option. In the shots of the station above, I locked the exposure on the station entrance to avoid this area overexposing.
Most smartphone photographers enjoy the portability of their camera and don’t want to be restricted by tripods or other accessories. For this reason, most smartphone photographs are taken ‘hand held’. The serious panoramic photographer would use a tripod and possibly a special panoramic tripod head designed for this type of work. The Pano feature in the camera app does provide some guidance for the smartphone photographer. The built in accelerometer detects when the camera is tilted away from its starting position and guides the user to make corrections. In the image below, the large white arrow is the current position of the camera, the yellow line is the level which you should try to keep the white angle on as you rotate.
In the screen shot from the camera app (above), the panoramic image will start on the left and pan right, this is the default but if you want to pan the other way, click on the large white arrow to swap.
You should practice the shot a couple of times to check if the composition works and how you rotate the phone and your body. You should check the shot carefully as some problems are hard to see on a small screen. Parallax is a major issue with panoramic photographs, particularly with subjects with a lot of straight lines such as the examples in this post. This is one of the main advantages in a dedicated tripod head. If possible, try to rotate the phone close to the body rather than at arms length.
As the panoramic picture is recording an extreme wide angle image (up to 360 degrees) on to a flat 2D image it will often show extreme distortion (two images below).
While it doesn’t quite fall into a post on panoramic photography, I thought I would test the TinType app on one of the pictures. As a passionate film (analogue?) photographer I should have a real issue with apps like TinType but perhaps, it could be a ‘gateway’ app which opens people’s minds to the wonderful world of early photographic techniques?
All images taken in this post were shot on an iPhone 7, some were captured using the Superfish V1 Moment Lens.
All images taken at Pickering Station on North Yorkshire Moors Railway.
Panoramic photography is just one of the topics I cover in my ‘Selfie Help Workshop’ to help people take better pictures or video with their smartphones. Please contact me if you would like more information.